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Repertory  

Available Space

Length: 60 min.
Number of Dancers: 10 (plus actors and musicians)

Description:A collaboration with The Nerve Tank, two composers, and a visual artist to transform a narrow swath of City Hall Park into a carnival in Available Space. Inspired by the chess tables in City Hall Park, acrobats, jugglers, tight rope walkers, and a bearded lady evoke the grit and cheap sparkle of a Mexican circus. Together these characters perform a series of acts illustrating the political subtext in a game of chess. Led by a marching band, the audience travels with the performers from the west side of City Hall Park to the Brooklyn Bridge. Musicians perform alternative and punk rock. Exploring space and social interaction, Available Space uncovers the fantasies and secrets of our society.

Premiere: September 8th, 2008 at City Hall Park. Presented by Lower Manhattan Cultural Council and Celebrate Mexico Now Festival.

Choreography: Ofelia Loret de Mola in close collaboration with Cori Kresge
Theatrical Direction: Melanie S. Armer
Playwright: Chance Muehleck
Original Composition: Nita Rae, Gerardo Abreu Sacramento
Production Design: Solomon Weisbard
Scenic Design: Teresa Loret de Mola
Costume Design: Candida Nichols
Sound Design: Betsy Rhodes
Marching Band Direction: Melissa Rodnon
Sound Editing: Ken Kresge
Audio Wizard: Sergio Laite
Live Band Musical Direction: Neil Alexander
Live Band Musicians: Emily Willis, Jessie D. Martin
Dancers: Colleen Cintron, Hannah Marie Corbin, Celia DeVoe, Marie Douesnard, Cori Kresge, Ana Marambio, Marie Morrow, Justin Ternullo, Brandon Whited, Rebecca Woods.
Actors: Karen Grenke, Mike Timoney

The Seams (am I that I am)

Length: 40 min.
Number of Dancers: 8

Description: Conceived within the structural limits of a palindrome.

Premiere: March 14th, 2008 at Joyce SoHo. NYC

Choreography: Ofelia Loret de Mola
Theatrical Direction: Marie Morrow
Lighting and Scenic Design: Solomon Weisbard
Music: Osvaldo Golijov, Dawn Upshawn and the Andalucian Dogs, Gustavo Santaolalla, Giovanni Sollima, Peggy Lee, Les Arts Florisants, The Beatles, Nick Cave and Warren Ellis.
Video Design: Nick D’Agostino
Costume and Lighting Design: Enrique Guzman Torres
Original Cast: Colleen Cintron, Marie Douesnard, Cori Kresge, Anita Marambio, Elisenda Nadal, Justin Ternullo, Brandon Whited, Rebecca Woods.

Tale

Length: 20 min
Number of Dancers: 4

Description: Inspired by the fantastic reality of Mexican Film Director Guillermo del Toro.

Premiere: January 8, 2008 in Teatro Jose Peon Contreras. Merida, Yucatan, Mexico.

Choreography: Ofelia Loret de Mola
Visual Artists: Teresa Loret de Mola and Marielena Jorge
Music: Tian Jiang
Original Cast: Indah Boyle, Colleen Cintron, Cori Kresge, Elisenda Nadal

Retratos

Length: 28 min
Number of Dancers: 8

Description:
Inspired by the intricate and textured works of Arcangelo Corelli, each vignette unfolds before a backdrop of personal narrative taken from the lives of each individual dancer. These everyday routines, shown through the lense of a video camera, become intimate portraits. Each ruptured moment becomes a coincidental encounter between performer and audience.

Premiere: January 8, 2007. Teatro Peon Contreras. Merida, Yucatan, Mexico. NYC premiere- Joyce SoHo, March 14, 2008.

Choreography: Ofelia Loret de Mola
Music: Arcangelo Corelli and others
Video Design: Ray Roy
Costume and Lighting Design: Enrique Guzman Torres
Original Cast: Indah Boyle, Colleen Cintron, Enrique Guzman Torres, Cori Kresge, Victoria Lundell, Elisenda Nadal, Eduardo Ramones, Justin Ternullo

Aktun Spukil

Length: 65 min with Installation, 45min without
Number of Dancers: 4

Description: This evening length piece, made in collaboration with visual artists Teresa Loret de Mola and Marielena Jorge, offers an arresting performance full of instinctive movement and haunting images that transform the space to illustrate the ambiguities of exile and freedom that the Mayas face.

Premiere: June 15, 2006. La Galeria. Merida, Yucatan.
NYC Premiere: Joyce SoHo, September 14, 2006

Choreography: Ofelia Loret de Mola
Visual Artists: Teresa Loret de Mola and Marielena Jorge
Music: Meredith Monk, Steve Reich, Traditional Japanese Kodo, Violeta Parra, Iannis Xenakis
Costume design and Construction: Cori Kresge
Original Lighting Design: Enrique Guzman
Sound Engineer: Ken Kresge
Video Design: Ray Roy
Original Cast: Colleen Cintron, Cori Kresge, Elisenda Nadal, Ofelia Loret de Mola

Technical Requirements: This piece includes 4 light weight sculptures used as scenery and 4 light weight sculptures that the dancers interact with that need to be hung from a stationary point in the performance venue.

Notes: This piece can be done with or without sculptures and instillation. See above Length for varying running times.

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Length: 5min
Number of Dancers: 2

Description: A light hearted duet inspired by the relationship that animals have to one another. This piece is full of casual gesture that begins to show the complexity between dominance and submissiveness whilst maintaining a sense of playfulness, much like human interaction.

Premiere: Cool NY Festival 2006 , April 27th, 2006

Choreography: Ofelia Loret de Mola
Music: In silence
Original Cast: Ofelia Loret de Mola, Enrique Guzman

Que poca!

Length: 12 min.
Number of performers: 3 dancers and 1 soprano.

Description: Que poca! Takes a satirical look at immigration and the bureaucracy that immigrants face when trying to enter and live in the United States. Using the scores to well-known operas and then integrating the narratives of the dancers who have been personally affected by this subject, Que Poca! humorously protests the stigmatism of being an immigrant.

NYC Premiere: July 30th, 2005. Fielday at Pier 63
Music By: Mano Ciao, J. Offenbach, W. A. Mozart.
Dancers: Elyse Sparkes, Emilio Martinez, Enrique Guzman.
Live soprano: Molly Davey.

Analecta (n: a collection of stories)

Length: 25 min
Number of performers: 8 to 13

Description: With turbulent and fluid movement, memories unfold underwater and surface, waiting to be given life. Using water as a common theme, Analecta is an experience as well as a journey that traces the childhood memories of its performers. Using these recollections, Loret de Mola paints a landscape that dives into the complexity of the human psyche, to reach beyond the depth of life and death.

Premiere: April 15th, 2005. Purchase College SUNY
NYC Premiere: August 27th, 2005. The Frying Pan at Pier 63.

Choreography: Ofelia Loret de Mola
Music: Steve Reich
Costume Design: Murielle Etienne and Ofelia Loret de Mola
Video Design: Ray Roy
Set Design: Geoff Nosach
Male voice over: Thomas Linnard
Text: ¨Riders to the Sea´ by J.M. Singe, poem excerpts by Pablo Neruda

Note: The piece takes place in a water tank and a one-inch pool of water.

Mexican Flavors in American Cuisine (3 excerpts)

J. Lee
4 min. 1 female dancer

Mantequilla de Cacahuate sin Mermelada (Peanut Butter without Jelly)
4 min. 1 male dancer

Chicharos y Zanahorias (Peas and Carrots)
9 min. one male and one female dancer

Description: Based on the stereotype that opposites attract, Mexican Flavors in American Cuisine is an exhilarating stew of magnetic energy. In two solos and a duet, a man and women find themselves face to face in an accidental love affair. Their passion frequently puts them at odds with each other. Can they learn to love each other as individuals?

Premiere: October 29th, 2004 Purchase College, SUNY
NYC Premiere: December 17th 2004. Merce Cunningham Studio.
Choreography: Ofelia Loret de Mola
Music: Chavela Vargas, Bebo & Cigala.
Costume: MASALA

Note: Excerpts from the piece can be performed separately or as a whole.

CAOS! (Chaos)

Commissioned by: Compañia de Danza Contemporanea del Estado de Yucatan.
Length: 10 min
Number of Dancers: 7

Description: Beginning with the idea of the seven deadly sins, Loret de Mola investigates the chaotic effect that right and wrong can have on ones identity. As our self-image is formed, a question is asked, “Who is the person we allow others to see¬¬?” Caos creates an emotionally charged and at times introspective journey of ones personal struggle and self-acceptance.

Premiere: October 29th, 2004 Purchase College SUNY
NYC Premiere: December 17th, 2004 Merce Cunningham Studio
Premiere in Mexico: January 23rd, 2005
Choreography: Ofelia Loret de Mola
Music: Julia Wolfe
Costume: MASALA

Notes: Several props such as a pole, stool, large pan, rope, pillow, George W. Bush mask, American Flag, fake money, are used.

“Canonicemos a las Putas”

Length: 12 min.
Number of Dancers: 3 females

Description: Based on the prose ¨Canonicemos a las putas¨ by Jaime Sabines, this trio explores the boundaries of beauty, innocence and envy. Using confrontational and sometimes explicit movement. The Whores reevaluates the impact that prostitutes have on society.

Excerpt from the poem

¨…NO ENGAÑAS A NADIE, ERES HONESTA, INTEGRA, PERFECTA; ANTICIPAS TU PRECIO, TE ENSEÑAS; NO DISCRIMINAS A LAS VIEJOS, A LOS CRIMINALES, A LOS TONTOS, A LOS DE OTRO COLOR; SOPORTAS LAS AGRESIONES DEL ORGULLO, ALIVIAS A LOS IMPOTENTES, ESTIMULAS A LOS TIMIDOS, COMPLACES A LOS HARTOS…ERES LA CONFIDENCIA DEL BORRACHO, EL REFUGIO DEL PERSEGUIDO…”
-Jaime Sabines

Premiere: July 12th 2004. Teatro Principal, Burgos, Spain
NYC Premiere: October 15th, 2004. d.u.m.b.o. Dance Festival 2004
Choreography: Ofelia Loret de Mola
Music: Julia Wolfe and John Tavener
Costume Design: MASALA

The Destruction of Chi Cheen´Itza

Length: 15 min
Number of Dancers: 15

Description: The legend says that on a crisp morning that marked the beginning of a Mayan calendar, a solemn celebration took place in honor of the god K´uk´ulkan (feathered snake). People from all the Mayan cities hurried to the ceremony including the arrogant Chak-xib Chaak and his people from Chi Cheen´Itza. Hunak-Eel, head of the Mayan Union and lord of Mayapan, led the ceremony that concluded with the introduction of his bride to be, Sak-Nicte. Her overwhelming beauty drove Chak-xib Chaak to madness and the consequences gave title to this piece.

Premiere: May 7th, 2004. Purchase College, SUNY
NYC Premiere: October 7th, 2005. Alvin Ailey Studios, The Joan Weill Center for Dance

Choreography: Ofelia Loret de Mola
Music: Andre Jolivet, U Káyil-Kah
Costume and Make-up Design: Teresa Loret de Mola and Giselle Mejia.
Costume Construction: Jose Valencia Dzib

Desnuda la idea nace (Nude the idea is born)

Length: 12 min
Number of Dancers: 6

Description: Desnuda la idea nace begins with the subconscious, a pure space where Idea is born. As her creation begins we watch as consciousness and judgment manipulate her until her simplicity is lost, a right of passage for Idea to become realized.

Premiere: November 13th, 2003. Purchase College, SUNY
NYC Premiere: December 17th, 2004. Merce Cunningham Studio.

Choreography: Ofelia Loret de Mola
Music: Gyorgy Ligeti
Costume Design: MASALA

Notes: The piece is done on a stage covered by 2-3 inches of natural fall leaves. This piece contains full nudity.

 
 
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